Meanwhile, innovations continued on another significant front. In 1907, French-born, London-based Eugene Lauste—who had worked at Edison's lab between 1886 and 1892—was awarded the first patent for sound-on-film technology, involving the transformation of sound into light waves that are photographically recorded direct onto celluloid. As described by historian Scott Eyman,

Life After the Fall (Film Music)

Song: Life after the fall
Composer: Peter Mor
Track: 2
Album: Music for film
Year: 2012
Genre: Epic Action Adventure Drama Trailer Score Epic Music
Company: M.R.P Music 2011
Copyright All Rights Reserved

It was a double system, that is, the sound was on a different piece of film from the picture.... In essence, the sound was captured by a microphone and translated into light waves via a light valve, a thin ribbon of sensitive metal over a tiny slit. The sound reaching this ribbon would be converted into light by the shivering of the diaphragm, focusing the resulting light waves through the slit, where it would be photographed on the side of the film, on a strip about a tenth of an inch wide.[13]

Listen to Your Heart (Soundtrack)

Song: Listen to your heart
Composer: Peter Mor
Track: 6
Album: Music for film
Year: 2012
Genre: Epic Action Adventure Drama Trailer Score Epic Music
Company: M.R.P Music 2011
Photo by: Al mar portalmar.tumblr.com/
Copyright All Rights Reserved

n 1925, Samuel Warner of Warner Bros., then a small Hollywood studio with big ambitions, saw a demonstration of the Western Electric sound-on-disc system and was sufficiently impressed to persuade his brothers to agree to experiment with using this system at New York's Vitagraph Studios, which they had recently purchased. The tests were convincing to the Warner Brothers, if not to the executives of some other picture companies who witnessed them. Consequently in April 1926 the Western Electric Company entered into a contract with Warner Brothers and W. J. Rich, a financier, giving them an exclusive license for recording and reproducing sound pictures under the Western Electric system. To exploit this license the Vitaphone Corporation was organized with Samuel L. Warner as its president.[29][30] Vitaphone, as this system was now called, was publicly introduced on August 6, 1926, with the premiere of the nearly three-hour-long Don Juan; the first feature-length movie to employ a synchronized sound system of any type throughout, its soundtrack contained a musical score and added sound effects, but no recorded dialogue—in other words, it had been staged and shot as a silent film. Accompanying Don Juan, however, were eight shorts of musical performances, mostly classical, as well as a four-minute filmed introduction by Will H. Hays, president of the Motion Picture Association of America, all with live-recorded sound. These were the first true sound films exhibited by a Hollywood studio.[31] Warner Bros.' The Better 'Ole, technically similar to Don Juan, followed in October.[32]

Spring Trails (Film Score)

Song: Spring trails
Composer: Peter Mor
Track: 3
Album: Music for film
Year: 2012
Genre: Epic Action Adventure Drama Trailer Score Epic Music
Company: M.R.P Music 2011
Copyright All Rights Reserved
Painting: Alex Mora

In 1913, Western Electric, the manufacturing division of AT&T, acquired the rights to the de Forest audion, the forerunner of the triode vacuum tube. Over the next few years they developed it into a predictable and reliable device that made electronic amplification possible for the first time. Western Electric then branched-out into developing uses for the vacuum tube including public address systems and an electrical recording system for the recording industry. Beginning in 1922, the research branch of Western Electric began working intensively on recording technology for both sound-on-disc and sound-on film synchronised sound systems for motion-pictures.

Return To The Past (Soundtrack)

Song: Return to the past
Composer: Peter Mor
Track: 4
Album: Music for film
Year: 2012
Genre: Soundtrack
Company: M.R.P Music 2011
Copyright All Rights Reserved

Pressing a key on the piano's keyboard causes a padded (often with felt) hammer to strike strings. The hammer rebounds, and the strings continue to vibrate at their resonant frequency.[2] These vibrations are transmitted through a bridge to a soundboard that amplifies by more efficiently coupling the acoustic energy to the air. When the key is released, a damper stops the strings' vibration, ending the sound. Although an acoustic piano has strings, it is usually classified as a percussion instrument because the strings are struck rather than plucked (as with a harpsichord or spinet); in the Hornbostel-Sachs system of instrument classification, pianos are considered chordophones. With technological advances, electric, electronic, and digital pianos have also been developed.

Ghost piano (Piano Music)

Song: Ghost piano
Composer: Peter Mor
Track: 7
Album: Cinecrypt 2011
Year: 2011
Genre: Epic Action Adventure Drama Trailer Score Epic Music
Company: M.R.P Music 2010
Copyright All Rights Reserved

The piano was founded on earlier technological innovations. The first string instruments with struck strings were the hammered dulcimers.[5] During the Middle Ages, there were several attempts at creating stringed keyboard instruments with struck strings.[6] By the 17th century, the mechanisms of keyboard instruments such as the clavichord and the harpsichord were well known. In a clavichord, the strings are struck by tangents, while in a harpsichord they are plucked by quills. Centuries of work on the mechanism of the harpsichord in particular had shown the most effective ways to construct the case, soundboard, bridge, and keyboard for a mechanism intended to hammer strings.

The last chance (Instrumental)

Guilty Secret (Cinematic Music)

Melodyne (Piano Music)

Song: Melodyne
Composer: Peter Mor
Track: 7
Album: Instrumental 2013
Year: 2013
Genre: Piano Music
Company: M.R.P Music 2011
Copyright All Rights Reserved
Photo by: Al mar portalmar.tumblr.com/

Peter Mor Composer

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Piano Music