Song: Guilty Secret
Composer: Peter Mor
Track: 10
Album: Cinecrypt 2011
Year: 2011
Genre: Epic Action Adventure Drama Trailer Score Epic Music
Company: M.R.P Music 2010
Copyright All Rights Reserved
Epic Score and Trailer Music
Guilty Secret (Cinematic Music)
![It was a double system, that is, the sound was on a different piece of film from the picture.... In essence, the sound was captured by a microphone and translated into light waves via a light valve, a thin ribbon of sensitive metal over a tiny slit. The sound reaching this ribbon would be converted into light by the shivering of the diaphragm, focusing the resulting light waves through the slit, where it would be photographed on the side of the film, on a strip about a tenth of an inch wide.[13]](http://wp1.blog.com.gr/269829631.blog.com.gr/wp-content/uploads/sites/1895/2014/06/Epic-Score-and-Trailer-Music1-50x50.jpg)
![n 1925, Samuel Warner of Warner Bros., then a small Hollywood studio with big ambitions, saw a demonstration of the Western Electric sound-on-disc system and was sufficiently impressed to persuade his brothers to agree to experiment with using this system at New York's Vitagraph Studios, which they had recently purchased. The tests were convincing to the Warner Brothers, if not to the executives of some other picture companies who witnessed them. Consequently in April 1926 the Western Electric Company entered into a contract with Warner Brothers and W. J. Rich, a financier, giving them an exclusive license for recording and reproducing sound pictures under the Western Electric system. To exploit this license the Vitaphone Corporation was organized with Samuel L. Warner as its president.[29][30] Vitaphone, as this system was now called, was publicly introduced on August 6, 1926, with the premiere of the nearly three-hour-long Don Juan; the first feature-length movie to employ a synchronized sound system of any type throughout, its soundtrack contained a musical score and added sound effects, but no recorded dialogue—in other words, it had been staged and shot as a silent film. Accompanying Don Juan, however, were eight shorts of musical performances, mostly classical, as well as a four-minute filmed introduction by Will H. Hays, president of the Motion Picture Association of America, all with live-recorded sound. These were the first true sound films exhibited by a Hollywood studio.[31] Warner Bros.' The Better 'Ole, technically similar to Don Juan, followed in October.[32]](http://wp1.blog.com.gr/269829631.blog.com.gr/wp-content/uploads/sites/1895/2014/06/Epic-Score-and-Trailer-Music2-50x50.jpg)